Peer-Reviewed Articles and Book Chapters

“Creating: Artistic Making Between Intellectual Creation and Biological Procreation,” in Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies, ed. Alexander Damianisch and Lisa Stuckey (Springer Verlag), forthcoming 2025.

“Milk Carton Sculpture: Ruth Asawa, Geodesic Geometry, and the Maternal Counterculture of the Alvarado School Arts Workshop,” The Art Bulletin 106:3 (Sep 2024): 64-90.

“The Permutations of Camino Real: Anni Albers and Textile Intermediality c. 1970,” in Anni and Josef Albers, ed. Imogen Dixon-Smith (National Gallery of Australia, Canberra, 2024)

“The Pedagogical Value of Paper,” in Ruth Asawa: Through Line, exh. cat. (Menil Collection / Whitney Museum of American Art / Yale University Press, 2023), 40-49.

“The Maternal in Drag: Towards a Mother-Driven Theory of Artistic Creation,” kritische berichte, 50:2 (2022): Soziale Fragen Heute, ed. Lea Kuhn and Kathrin Rottmann, 45–52.

“Drawing Lessons: Ruth Asawa’s Early Work on Paper,” in Object Lessons: The Bauhaus and Harvard, exh. cat. (Harvard Art Museums / Yale University Press, 2021), 149–165.

“Lucia Moholy’s Idle Hands,” OCTOBER 172 (Spring 2020): 68–108.

“A (Still) Marginal Modernity, or The Artist as Stenographer,” in OCTOBER 172 (Spring): 3–7.

“Anni Albers’s ‘Pliable Plane’: Writing on Architecture and the Nomadic Textile,” in Textile Moderne / Textile Modernism, ed. Burcu Dogramaci (Böhlau 2019), 217–228.

“Breuer’s New Women,” in Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School, ed. Elizabeth Otto and Patrick Rössler (Bloomsbury 2019), 313–334.

“The Factographic Gesture,” in Liz Laser: Public Relations / Öffentlichkeitsarbeit, ed. Kristin Scepanski, exh. cat., Münster, Westfälischer Kunstverein (Sternberg 2014), 118–125.

“Illuminated Loss: Warhol’s Flash—November 22, 1963,” in Reading Andy Warhol, ed. Nina Schleif, exh. cat., Museum Brandhorst (Hatje Cantz 2013), 202–217.

“Against Abstraction: Zoe Leonard’s Analogue,” Art Journal 69, no. 4 (Winter 2010): 108–123.

Reviews, Interviews, and Exhibition Catalogue Entries

“Reinventing Form between the Classroom and the Cinema: Book Review of Design in Motion: Film Experiments at the Bauhaus, by Laura A. Frahm and Josef Albers, Late Modernism, and Pedagogical Form, by Jeffrey Saletnik,” Art History, 47:5 (Nov 2024): 996–999

“#Wickedary,” FKW: Zeitschrift für Geschlechterforschung und visuelle Kultur, special issue: how :// do we speak #feminism?// new global challenges 70 (Feb 2022): 160-162.

“Susan Funkenstein, Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic,” book review for Women’s Art Journal 42:2 (Fall/Winter 2021): 58–60.

“Jennifer Bajorek, Unfixed: Photography and Decolonial Imagination in West Africa,” book review for History of Photography 44, no. 2–3 (2021): 224–26.

Interviewed for the exhibition Ladies First! Kunstlerinnen in Künstlerinnen in und aus der Steiermark 1850–1950, Neue Galerie Graz, “Folge #8 Gespräch mit Jordan Troeller, Kunsthistorikerin,” Neue Galerie Graz (2021)

“Why the Bauhaus Still Matters in an Era of Neo-nationalism,” Hyperallergic, Sep 9, 2020.

“Reputations: Anni Albers,” The Architectural Review (June 2020): 42–45.

“Jeanne Mammen: The Observer. Retrospective: 1910–1975 (Hirmer 2017),” Women’s Art Journal 40, no. 1 (Spring/Summer 2019): 49–51.

“Charles Darwent, Josef Albers: Life and Work,” The Burlington Magazine 161 (April 2019): 358.

“From Weimar to Black Mountain: The Afterlife of the Bauhaus Textile.” Goethe-Institut, Washington D.C.; March (2019).

Interviewed by Verónica Zaragovia for the Goethe-Institut podcast The Big Pond (episode 37: “100 Years of the Bauhaus”), July 17 (2019)

Catalogue contributions to Corita Kent and the Language of Pop, ed. Susan Dackerman, exh. cat., Harvard Art Museums (Yale University Press 2016).

“Jimmy Durham at Neuer Berliner Kunstverein,” ARTnews 115, no. 10 (Oct 2015): 94.

“Channa Horwitz at KW Institute,” ARTnews 115, no. 7 (Summer 2015): 108.

“VKHUTEMAS at Martin-Gropius-Bau, Berlin,” ARTnews 115, no. 4 (Apr 2015): 92.

“Philippe Parreno at Schinkel Pavillon and Esther Schipper, Berlin,” ARTnews 115, no. 2 (Feb 2015): 92.

“Otto Piene at Neue Nationalgalerie and Deutsche Bank Kunsthalle,” ARTnews 113, no. 10 (Nov 2014): 125.

Catalogue contributions to This Will Have Been: Art, Love, and Politics in the 1980s, ed. Helen Molesworth, exh. cat. Museum of Contemporary Art Chicago (Yale University Press 2012)

Regular contributor to “Critics Picks” onArtforum.com (2009-2012)